| Mercedes-Benz Audience Award for Best Narrative Feature |
|
The Sapphires
Wayne Blair (Australia) |
| Runner Up narrative films (alpha order) |
|
Allez, Eddy! (Belgium/ Luxembourg/The Netherlands); Any Day Now (USA); Emperor (Japan); English Vinglish (India); The Hunt (Denmark); I Do (USA); Inuk (Greenland); Kon-Tiki (Norway/UK) and A Royal Affair (Denmark); Still (Canada); and The Third Half (Macedonia) |
| Audience Award for Best Documentary Feature |
|
Don’t Stop Believin’: Everyman’s Journey
Ramona Diaz (USA)
|
| Runner Up documentary films (alpha order) |
|
Defiant Requiem (USA), More than Honey (Germany/Austria/Switzerland), No Place on Earth (USA/UK/Germany), Nuala (Ireland)
|
| FIPRESCI Award for Best Foreign Language Film |
|
Fill the Void
Rama Burshtein (Israel) |
| FIPRESCI Award Best Actor |
|
Cosimo Rega, Salvatore Striano and Giovanni Arcuri
Caesar Must Die(Italy) |
| FIPRESCI Award Best Actress |
|
Emilie Dequenne
Our Children (Belgium) |
| New Voices/New Visions Award |
|
The Cleaner
Adrian Saba (Peru) |
| New Voices/New Visions Award Special Mention |
|
7 Boxes
Juan Carlos Maneglia and Tana Schémbori (Paraguay) |
| Cine Latino Award |
|
Blancanieves
Pablo Berger (Spain) |
| Cine Latino Award Honorable Mention |
|
Sadourni’s Butterflies
Dario Nardi (Argentina) |
| John Schlesinger Award for Outstanding First Feature |
|
Stolen Seas
Thymaya Payne (Somalia/Kenya/UK/Italy) |
| HP Bridging the Borders Award |
|
Jump,
Kieron J. Walsh (Ireland/UK) |
| HP Bridging the Borders Award Runner-up |
|
When Day Breaks
Goran Paskaljevic (Serbia/Croatia/France) |